I was woken up by the sun’s rays that shone into my room. I went to the traditional stony terrace and looked towards the Black Forest mountains in the direction of Kirchzarten and was rewarded by the sight of the rising sun. After a Schwarzwälder breakfast and a quick scanning of the zeitungen I decided to go to Cafe Mozart to a reading by a Freiburger poetess named Lilo Külp, which I’d been postponing all these years. (The Freiburger poetess Lilo Külp reading in Cafe Mozart) The cafe is run by family Rückert and it’s near the Siegesdenkmal, a cafe that reminded my of my journey to Salzburg, where Wolfgang Amadeus Mozart was born. The poetess was accompanied musicaly by Claudia Thyme, who played the sax and conjured up melodies from 1001 Nights because that was also a part of the reading. The story in verse was about Lousianna, a poetess with a beautiful voice. Her father goes on a long journey and gives her a good piece of advice to use her resources. She walks up to a temple. Opens the door, enters it, goes to the altar and starts telling her story. – Suddenly a voice asks her rudely, “What are you doing here?” It is the temple priest. Go away, this is not the place for telling such tales.” She’s sad and leaves the temple. A small sparrow chirps and says, “Tell your story to the people in the streets.” She follows this advice. The people listened, coins began to roll in and she had a lot of stuff for tales. She meets a carpet seller in the busy street, who uses his entire charm and cunningness to sell his wares and creates a furore every time. It was a wonderful rendering from a frail Lilo Külp but when she talks her eyes light up and everything she says is interesting. She knows how to capture her audience. Frau Külf read from her book of poems with the title ‘Even the Half-Moon is Lovely.’ (Freiburg’s midwives demonstrating low-pay and bad job perspectives at the Kaiser Joseph Strasse, Bertold’s Fountain in downtown Freiburg). They were supported by a good many parents, which reminded me a lecture I’d given on Obstetrics which dealt with pregnancy and labor symptoms, and whether a water-birth is good or a birth in a hospital, the advantages and disadvantages of both. MITEINANDER (Togetherness): MGV-Kappel “Liederkranz,” Musikverein-Freiburg-Kappel and Trachtenverein St. Ulrich The Spring Concert of the Musikverein-Kappel organised a good programme and even invited a guest brass band called the Trachten-Kapelle St. Ulrich conducted by Hans Breika, an athletic, tall man. They’d brought their own moderator along: Monika Steiert. The Musikverein Freiburg-Kappel was conducted by Bernhard Winter, a jolly Bavarian, who in the course of the evening told me over a glass of sekt that he’d bought a piece of land in the vicinity of Lake Ontario and wanted to spend the winter of his life in Canada. What a pleasant thought. He confided that he does have German croonies there, and he goes often to the USA and Canada. The moderation of the Kappler band was to be done of Karin Peter but she could’d and so Klaus Gülker , a South-West Radio man with the gift of the German gab, had volunteered to take over the moderation, which he did with elan, spiced with poetry and a touch of humour. The first piece was John William’s ‘Fanfare’ and there was a lot of fanfare in it. The good thing about a brass band is that it’s performed with oomph. The next song was ‘I Remember Clifford’ composed by Benny Golson, a story of an unlucky trumpet player; a beautiful melody with drums, trumpet played by the Kappler musician Stefan Nerz, who’s name Gülker translated literally to Mink. You could have danced a good fox trot to this melody, but since it was a concert, nobody did. Then came the ‘Headliner’ composed by Dennis Armitage, a quick-step tact and melody; rather catchy tune. This was followed by James barnes’ ‘Danza Sinfonica’ with whom the cunductor Bernard Winter had telephone for hours. He said he’d drunk more than a beer with Dennis Armitage in Chicago. The great-great-great grandfather of James Barnes was also mentioned. The orchestra produced a big sound, making maximal use of brass and big drums, tamborine; the sound emulated a paso doble mingled with Arabian Nights and Spanish castanettes. The flute, clarinet and sax melodies were charming and transported the audience to another world. A difficult piece masterly performed and conducted by the Musikverein-Kappel conducted by Bernd Winter. The last number was ‘The Stars and Stripes Forever’ composed by John Philip Sousa. It might be mentioned that a term was coined during those early days ‘the sousaphone,’ an instrument which sounds like a bomb in an orchestra. Don’t we love American composers out here in Europe, especially Germany? Yes, we do. Five musicians of the Musikverein-Kappel who’d been playing still in the verein were honoured, among others Dominik and Isabelle Steiert. Joachim Maurer came after attending the soccer match in Kenzingen (from the Oberbadische verband) and thanked Albert Dold for his dedicated service for 5o years with the verein in Kappel. He’d joined the Musikverein-Kappel in 1968 at the age of 12 and received the golden Ehren-needle. After the intermission the Trachtenkapelle St. Ulrich conducted by Hans Breika played the Procession of Nobles (Einzug der Edelleute)composed by Nicholas Rimsky Korsakov which was with a lot of oomph and clarion calls. The men were dressed in white shirts, black trousers and scarlet waistcoats with golden buttons, which suited the brass instruments they were playing: horns, trumpets, trombones and the like. ‘Second Suite for Band’ composed by Alfred Reed was followed by ‘The Wizard of Oz’ which was introduced as the American answer to the German fairy tales by the Grimm brothers, and which was made popular by Judy Garland. ‘Somewhere over the Rainbow’was one of the world hits. The Cordillerasde los Andes’ composed by Klees Vlak took the audience to the far off Andes mountains of South America with such works as: Cotopaxi, Illmani and Coro puna. The musical presentation by the traditional Trachtenkapelle St. Ulrich (located near the town of Au)in their colourful costumes came up with Latin American melodies which began slowly, was frivolous with rumba-elements and evoked fiery Latin feelings culimnating in samba rhythms. Gallilero composed by Thomas Doss was played towards the end depicting a time when South America was conquered by the Spanish conquistadors. On the whole the compositions were a good melange of North and South American melodies and it was an enjoyable evening.